[et_pb_section fb_built=”1″ _builder_version=”4.4.7″ background_color=”#282828″ custom_padding=”||6px|||” global_colors_info=”{}”][et_pb_row module_id=”FILMS_CUSTOM_TITLE” _builder_version=”4.4.7″ custom_padding=”||23px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.2″ global_colors_info=”{}”][et_pb_text _builder_version=”4.4.7″ text_text_color=”#ffffff” header_text_color=”#ffffff” header_2_font=”|800||on|||||” header_2_text_color=”#ffffff” header_2_font_size=”30px” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|phone” height_tablet=”” height_phone=”” height_last_edited=”on|phone” max_height_tablet=”” max_height_phone=”” max_height_last_edited=”on|phone” custom_padding=”||24px|||” custom_padding_tablet=”||10px||false|false” custom_padding_phone=”||0px||false|false” custom_padding_last_edited=”on|desktop” header_font_size_tablet=”” header_font_size_phone=”” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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A film by Fran\u00e7ois Yang<\/p>\n
In 1946, my Chinese grandfather entrusted my mother to a Swiss family. But he never came to take her back. Today, my mother, 79, goes back to China to uncover a painful past with her estranged relatives, in order to understand the life she has not lived there. She discovers the sequels of the communist regime, and the painful history she has escaped.<\/p>\n
<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ disabled_on=”off|off|on” _builder_version=”4.4.7″ transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|phone” transform_translate_tablet=”” transform_translate_phone=”” transform_translate_last_edited=”on|desktop” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” custom_padding=”||0px|||” transform_styles_tablet=”” transform_styles_phone=”” locked=”off” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.4.7″ global_colors_info=”{}”][et_pb_post_title _builder_version=”4.4.7″ custom_margin_tablet=”|||0vw|false|false” custom_margin_phone=”|||0vw|false|false” custom_margin_last_edited=”on|desktop” global_colors_info=”{}”][\/et_pb_post_title][et_pb_text _builder_version=”4.4.8″ width_tablet=”” width_phone=”” width_last_edited=”on|phone” custom_padding=”|10px|||false|false” global_colors_info=”{}”]<\/p>\n
A film by Fran\u00e7ois Yang<\/p>\n
In 1946, my Chinese grandfather entrusted my mother to a Swiss family. But he never came to take her back. Today, my mother, 79, goes back to China to uncover a painful past with her estranged relatives, in order to understand the life she has not lived there. She discovers the sequels of the communist regime, and the painful history she has escaped.<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.4.7″ global_colors_info=”{}”][et_pb_image src=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” align=”right” align_tablet=”center” align_phone=”center” align_last_edited=”on|tablet” admin_label=”Image” _builder_version=”4.4.7″ _dynamic_attributes=”src” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|tablet” transform_translate_tablet=”” transform_translate_phone=”” transform_translate_last_edited=”on|tablet” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|tablet” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|tablet” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|tablet” transform_styles_last_edited=”on|tablet” vertical_offset=”0px” horizontal_offset=”0px” position_origin_a_tablet=”” position_origin_a_phone=”” position_origin_a_last_edited=”on|phone” position_origin_f_tablet=”” position_origin_f_phone=”” position_origin_f_last_edited=”on|phone” position_origin_r_tablet=”” position_origin_r_phone=”” position_origin_r_last_edited=”on|phone” width=”100%” width_tablet=”35vw” width_phone=”80vw” width_last_edited=”on|phone” custom_margin=”|-2px||||” custom_margin_tablet=”|||0px|false|false” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”|0px|||false|false” custom_padding_tablet=”|0px|||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|desktop” animation_style=”fold” transform_styles_tablet=”” transform_styles_phone=”” positioning_tablet=”relative” positioning_phone=”” positioning_last_edited=”on|tablet” module_alignment_tablet=”” module_alignment_phone=”left” module_alignment_last_edited=”on|tablet” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”FILMS_AV_LAYOUT2″ _builder_version=”4.4.7″ background_color=”#282828″ custom_margin=”30px||||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.0.6″ min_height=”159px” custom_margin=”|auto|-6px|auto||” custom_padding=”||2px|||” animation_style=”fade” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.4.7″ text_text_color=”#ffffff” header_font=”|800||on|||||” header_text_color=”#ffffff” header_2_font=”|800||on|||||” header_3_text_color=”#ffffff” header_3_font_size=”23px” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.6.6″ text_text_color=”#ffffff” min_height=”136px” custom_margin=”||30px||false|false” global_colors_info=”{}”]<\/p>\n
World Premiere:<\/strong> Visions du R\u00e9el – Comp\u00e9tition Nationale<\/p>\n Festival International de Namur [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.4.8″ header_font=”|800||on|||||” header_text_color=”#ffffff” header_2_font=”|800||on|||||” header_3_text_color=”#ffffff” header_3_font_size=”23px” disabled=”on” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.4.8″ text_text_color=”#ffffff” min_height=”136px” disabled=”on” global_colors_info=”{}”]<\/p>\n Les extraits sont des r\u00e9sum\u00e9s facultatifs de vos articles, \u00e9crits \u00e0 la main. Il se peut que votre th\u00e8me s\u2019en serve.\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”FILMS_AV_LAYOUT4″ _builder_version=”4.0.6″ custom_padding=”0px||3px|||” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.0.6″ global_colors_info=”{}”][et_pb_text admin_label=”Texte” _builder_version=”4.5.1″ header_font=”|800||on|||||” header_2_font=”|800||on|||||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.5.7″ min_height=”184px” global_colors_info=”{}”]<\/p>\n Director<\/strong> Screenplay 1st AD Photography<\/strong> Editing Sound<\/strong> Sound Editing<\/strong> Sound mixing Original soundtrack<\/strong> Color grading Production
Journ\u00e9es de Soleure
Les \u00c9crans de Chine Festival Europ\u00e9en de documentaires Chinois<\/p>\n<\/div>\n<\/div>\nPRIX<\/h1>\n
Cast & Crew<\/h1>\n
Fran\u00e7ois Yang<\/p>\n
<\/strong>Fran\u00e7ois Yang,
in collaboration with Anne Paschetta and L\u00e9a Pernollet
<\/strong><\/p>\n
<\/strong>Nini
<\/strong><\/p>\n
Patrick Tresch<\/p>\n
<\/strong>Flore Guillet
<\/strong><\/p>\n
Marc Thill
Fran\u00e7ois Musy
Renaud Musy<\/p>\n
Fran\u00e7ois Musy
Renaud Musy<\/p>\n
<\/strong>Fran\u00e7ois Musy
Renaud Musy
<\/strong><\/p>\n
Ben Violet<\/p>\n
<\/strong>Robin Erard<\/p>\n
Box Productions<\/a>
<\/strong>Elena Tatti
Elodie Brunner
Thierry Spicher<\/strong><\/p>\n