{"id":8169,"date":"2024-05-03T17:43:28","date_gmt":"2024-05-03T15:43:28","guid":{"rendered":"https:\/\/boxproductions.ch\/?p=8169"},"modified":"2026-03-19T10:29:53","modified_gmt":"2026-03-19T09:29:53","slug":"those-who-blush","status":"publish","type":"post","link":"https:\/\/boxproductions.ch\/en\/those-who-blush\/","title":{"rendered":"Those who blush"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#282828&#8243; custom_padding=&#8221;||6px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row module_id=&#8221;FILMS_CUSTOM_TITLE&#8221; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||23px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_text_color=&#8221;#ffffff&#8221; header_text_color=&#8221;#ffffff&#8221; header_2_font=&#8221;|800||on|||||&#8221; 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As they recite Shakespeare while maintaining their distance, the teacher abruptly interrupts the rehearsal. In the midst of an age where people often advance masked, with eyes either too elevated or heads too lowered, the question of intimacy becomes prominent for them.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.rts.ch\/play\/tv\/emission\/ceux-qui-rougissent?id=15259072&#8243; button_text=&#8221;Watch on Play RTS (Suisse)&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#E02B20&#8243; button_border_radius=&#8221;33px&#8221; button_font=&#8221;|600|||||||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][et_pb_button button_url=&#8221;https:\/\/www.arte.tv\/fr\/videos\/RC-025018\/ceux-qui-rougissent\/&#8221; button_text=&#8221;Watch on Arte&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#fa4616&#8243; button_border_radius=&#8221;33px&#8221; button_font=&#8221;|600|||||||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_3,1_3&#8243; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.17.6&#8243; transform_scale_tablet=&#8221;&#8221; transform_scale_phone=&#8221;&#8221; transform_scale_last_edited=&#8221;on|phone&#8221; transform_translate_tablet=&#8221;&#8221; transform_translate_phone=&#8221;&#8221; transform_translate_last_edited=&#8221;on|desktop&#8221; transform_rotate_tablet=&#8221;&#8221; transform_rotate_phone=&#8221;&#8221; transform_rotate_last_edited=&#8221;on|desktop&#8221; transform_skew_tablet=&#8221;&#8221; transform_skew_phone=&#8221;&#8221; transform_skew_last_edited=&#8221;on|desktop&#8221; transform_origin_tablet=&#8221;&#8221; transform_origin_phone=&#8221;&#8221; transform_origin_last_edited=&#8221;on|desktop&#8221; transform_styles_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;||0px|||&#8221; transform_styles_tablet=&#8221;&#8221; transform_styles_phone=&#8221;&#8221; disabled=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_post_title _builder_version=&#8221;4.16&#8243; custom_margin_tablet=&#8221;|||0vw|false|false&#8221; custom_margin_phone=&#8221;|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_title][et_pb_text _builder_version=&#8221;4.16&#8243; width_tablet=&#8221;&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;|10px|||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Une webs\u00e9rie de Malou Briand et Rapha\u00ebl Meyer<\/p>\n<ul>\n<li>2020<\/li>\n<li>Suisse<\/li>\n<li>6 \u00e9pisodes &#8211; 8 minutes<\/li>\n<li>VO Fran\u00e7ais &#8211; sous-titres FR, DE, IT, EN<\/li>\n<\/ul>\n<p>Des enfants abandonn\u00e9s par milliers, condamn\u00e9s \u00e0 mourir en p\u00e9riph\u00e9rie des villes\u2026<br \/>Chaque ann\u00e9e, une vingtaine d\u2019entre eux se retrouve dans l\u2019ar\u00e8ne d\u2019une \u00e9mission de t\u00e9l\u00e9-r\u00e9alit\u00e9. D\u00e9termin\u00e9s \u00e0 ne pas retomber dans la mis\u00e8re, ils se livrent une comp\u00e9tition f\u00e9roce pour empocher le pactole et se faire adopter par un couple de c\u00e9l\u00e9brit\u00e9s. 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min_height=&#8221;159px&#8221; custom_margin=&#8221;|auto|-6px|auto||&#8221; custom_padding=&#8221;||2px|||&#8221; animation_style=&#8221;fade&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; header_font=&#8221;|800||on|||||&#8221; header_text_color=&#8221;#ffffff&#8221; header_2_font=&#8221;|800||on|||||&#8221; header_3_text_color=&#8221;#ffffff&#8221; header_3_font_size=&#8221;23px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>PRIZES<\/h1>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; text_text_color=&#8221;#ffffff&#8221; min_height=&#8221;136px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"postexcerpt\" class=\"postbox  first-visible\">\n<div class=\"inside\">\n<p><span><strong>S\u00e9ries Mania<br \/><\/strong><\/span><\/p>\n<ul>\n<li><span>Best short series<\/span><strong><br \/><\/strong><\/li>\n<\/ul>\n<p><strong><\/strong><\/p>\n<p><span>\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<div id=\"et_pb_layout\" class=\"postbox et-loaded\"><\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.16&#8243; text_text_color=&#8221;#ffffff&#8221; header_font=&#8221;|800||on|||||&#8221; header_text_color=&#8221;#ffffff&#8221; header_2_font=&#8221;|800||on|||||&#8221; header_3_text_color=&#8221;#ffffff&#8221; header_3_font_size=&#8221;23px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>FESTIVALS<\/h1>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; text_text_color=&#8221;#ffffff&#8221; min_height=&#8221;136px&#8221; custom_margin=&#8221;||30px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"postexcerpt\" class=\"postbox  first-visible\">\n<div class=\"inside\">\n<p>S\u00e9ries Mania, Geneva International Film Festival<br \/><span class=\"notice\" style=\"transform: matrix(1, 0, 0, 1, 0, 0);\"><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;FILMS_AV_LAYOUT4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;0px||3px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.16&#8243; header_font=&#8221;|800||on|||||&#8221; header_2_font=&#8221;|800||on|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>crEdits<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.17.6&#8243; min_height=&#8221;184px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"postexcerpt\" class=\"postbox  first-visible\">\n<div class=\"inside\">\n<p><strong>With<\/strong><br \/>Ulrich Bapeneck<br \/>Mani Choukrane<br \/>St\u00e9phane Er\u00f6s<br \/>Elio Fabbro<br \/>Ang\u00e8le Gilbert<br \/>Ana\u00eblle Heroguelle<br \/>Nicolas Kessler<br \/>Milla Kuentz<br \/>Kayna Lacomat<br \/>Marie Na\u00efma<br \/>Charles Souris<br \/>Julien Gaspar-Oliveri<\/p>\n<p><strong>A series created by<\/strong><br \/>Julien Gaspar-Oliveri<br \/>Maud Konan<br \/>Johan Rouveyre<\/p>\n<p><strong>Written by<\/strong><br \/>Julien Gaspar-Oliveri<br \/>Johan Rouveyre<br \/>Louise Silverio<\/p>\n<p><strong>Directed by<\/strong><br \/>Julien Gaspar-Oliveri<\/p>\n<p><strong>1st assistant director<\/strong><br \/>Marie Fouch\u00e9<\/p>\n<p><strong>Cinematography<\/strong><br \/>Martin Rit<\/p>\n<p><strong>Editing<\/strong><br \/>Baptiste Petit-Gats<\/p>\n<p><strong>Sound<\/strong><br \/>Colin Favre-Bulle<br \/>Mariette Mathieu Goudier<\/p>\n<p><strong>Sound editing<\/strong><br \/>Henry Sims<\/p>\n<p><strong>Mixing<\/strong><br \/>Fran\u00e7ois Wolf<br \/>Diego Staub<br \/>Kevi Aragunde<\/p>\n<p><strong>Original Music<\/strong><br \/>Dom La Nena<\/p>\n<p><strong>Set Design<\/strong><br \/>Georg Bringolf<br \/>Sara B. Weingart<\/p>\n<p><strong>Costume Design<\/strong><br \/>Louise Antezak-Corseret<\/p>\n<p><strong>Hair Stylist<\/strong><br \/>Line Levron<\/p>\n<p><strong>French line producer<\/strong><br \/>Hugo Riggi<\/p>\n<p><strong>Swiss line producers<\/strong><br \/>Christelle Michel<br \/>Nicolas Wittwer<\/p>\n<p><strong>Production<\/strong><br \/>Melocoton<br \/>Th\u00e9o Laboulandine<br \/>H\u00e9l\u00e8ne Mitjavile<\/p>\n<p><strong>Co-production<\/strong><br \/>Box Productions<br \/>Elena Tatti<\/p>\n<p>RTS Radio T\u00e9l\u00e9vision Suisse<br \/>Fran\u00e7oise Mayor<br \/>Patrick Suhner<\/p>\n<p>ARTE France<br \/>Marianne L\u00e9vy-Leblond<br \/>Lama Serhan<\/p>\n<p><strong><br \/><\/strong><strong><\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.17.6&#8243; header_font=&#8221;|800||on|||||&#8221; header_2_font=&#8221;|800||on|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>DIRECTOR&#8217;s BIOGRAPHY<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Born in Antibes, Julien Gaspar-Oliveri trained as an actor at the Conservatoire National Sup\u00e9rieur d&#8217;Art Dramatique in Paris. His theatre credits include work with Dominique Czapski, Didier Bezace and Jean Bellorini. He has directed Chekhov and several plays by Jean-Luc Lagarce at the Th\u00e9\u00e2tre Antib\u00e9a, where he is an associate artist. He made his film debut with \u2018Loin de Benjamin\u2019, his first short film. He then directed \u2018Passe\u2019, with Laure Calamy, followed by \u2018Villeperdue\u2019, a medium-length film starring Carole Franck, Lucie Debay and Benjamin Siksou. The film was well received by critics and released in cinemas. It won the Jury Prize and the Audience Prize at the Namur Film Festival. In \u2018L&#8217;\u00c2ge Tendre\u2019, he portrays a lost teenager, played by No\u00e9e Abita. He then set about making a documentary about the 2020 municipal elections. Currently being edited, the film traces the campaign of the ecologist candidate for mayor of Paris. Keen to try new things, Julien then adapted a short film for a France 2 series on new heroines, with Pauline Lorillard in the title role. He also teaches theatre and film at the Cours Florent. Continuing his exploration of adolescence and the emotional catalyst that is acting, he is currently developing a series project on the theatre Bac. He is currently writing his first feature film, on the subject of incest. 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