{"id":8534,"date":"2025-08-26T09:33:28","date_gmt":"2025-08-26T07:33:28","guid":{"rendered":"https:\/\/boxproductions.ch\/?p=8534"},"modified":"2025-08-26T09:52:55","modified_gmt":"2025-08-26T07:52:55","slug":"le-silence-de-violette-2","status":"publish","type":"post","link":"https:\/\/boxproductions.ch\/en\/le-silence-de-violette-2\/","title":{"rendered":"Le Silence de Violette"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;SILENT REBELLION&#8221; _builder_version=&#8221;4.17.6&#8243; background_color=&#8221;#282828&#8243; min_height=&#8221;111px&#8221; custom_margin=&#8221;||-56px|||&#8221; custom_padding=&#8221;60px||6px|||&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Un film de Marie-Elsa Sgualdo&#8221; module_id=&#8221;FILMS_CUSTOM_TITLE&#8221; _builder_version=&#8221;4.17.6&#8243; width=&#8221;73%&#8221; max_width=&#8221;1694px&#8221; module_alignment=&#8221;center&#8221; min_height=&#8221;163px&#8221; 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custom_padding_phone=&#8221;||0px||false|false&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; header_2_font_size_tablet=&#8221;&#8221; header_2_font_size_phone=&#8221;20px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 style=\"text-align: center;\"><strong><span style=\"font-family: inherit;\"><span style=\"font-size: xx-large;\">Le Silence de Violette <\/span><\/span><\/strong><strong><span style=\"font-size: xx-large; font-family: inherit; font-weight: normal;\">A film by Julie Biro<\/span><\/strong><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_image src=&#8221;https:\/\/boxproductions.ch\/v2\/wp-content\/uploads\/2025\/08\/DSC05686-4-scaled.jpg&#8221; 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saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>A film by Julie Biro<\/p>\n<ul>\n<li>2025<\/li>\n<li>France, Switzerland\u00a0<\/li>\n<li>53 minutes<\/li>\n<li>VO French<\/li>\n<\/ul>\n<div>\n<p class=\"p1\" style=\"text-align: justify;\">At 19, Violette Nozi\u00e8re was sentenced to death for parricide. Abused by her father, her voice remained unheard. She escaped the guillotine and was released in 1945. She married, had five children, rebuilt her life in Normandy, and fought to obtain her rehabilitation. To this day, her children still have questions. This film is an opportunity for them to make Violette\u2019s voice heard. One of her granddaughters now wants to put an end to the family\u2019s unspoken truths.<o:p><\/o:p><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|off&#8221; admin_label=&#8221;Section&#8221; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-19px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; background_color=&#8221;#282828&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.17.6&#8243; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;28px&#8221; text_line_height=&#8221;1em&#8221; header_text_color=&#8221;#FFFFFF&#8221; custom_margin=&#8221;|0px|||false|false&#8221; custom_padding=&#8221;|0px|||false|false&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>AWARDS<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text disabled_on=&#8221;off|off|off&#8221; admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.17.6&#8243; text_font_size=&#8221;22px&#8221; header_text_color=&#8221;#FFFFFF&#8221; width=&#8221;100%&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>FESTIVALS<\/h1>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.17.6&#8243; text_text_color=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Les Rendez-vous de l&#8217;Histoire 2025\u00a0<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.17.6&#8243; min_height=&#8221;1017px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.17.6&#8243; header_font=&#8221;|800||on|||||&#8221; header_2_font=&#8221;|800||on|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>CREDITS<\/h1>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Texte&#8221; _builder_version=&#8221;4.17.6&#8243; text_font_size=&#8221;14px&#8221; text_line_height=&#8221;1em&#8221; header_font_size=&#8221;27px&#8221; module_alignment=&#8221;left&#8221; min_height=&#8221;952px&#8221; height=&#8221;1000px&#8221; custom_margin=&#8221;-12px||-164px||false|false&#8221; custom_padding=&#8221;2px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"postexcerpt\" class=\"postbox  first-visible\">\n<div class=\"inside\">\n<div id=\"postexcerpt\" class=\"postbox first-visible\">\n<div class=\"inside\">\n<p style=\"text-align: left;\"><b>With<\/b><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 15px;\">Dominique Coquelet <\/span><\/p>\n<p style=\"text-align: left;\">Jean-Jacques Coquelet\u00a0<\/p>\n<p style=\"text-align: left;\">M\u00e9lanie Coquelet<\/p>\n<p style=\"text-align: left;\">Mich\u00e8le Aba-Coquelet<\/p>\n<p style=\"text-align: left;\">Pierre Coquelet<\/p>\n<p style=\"text-align: left;\"><strong>Written by<\/strong><\/p>\n<p style=\"text-align: left;\">Julie Biro<\/p>\n<p style=\"text-align: left;\"><strong>Directed by<\/strong><\/p>\n<p style=\"text-align: left;\">Julie Biro<\/p>\n<p style=\"text-align: left;\"><strong>Director of photography\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\">J\u00e9r\u00f4me Colin<\/p>\n<p style=\"text-align: left;\"><strong>Editing<\/strong><\/p>\n<p style=\"text-align: left;\">Isabelle Poudevigne<\/p>\n<p style=\"text-align: left;\"><strong>Sound<\/strong><\/p>\n<p style=\"text-align: left;\">Jean-Charles Regonesi<\/p>\n<p style=\"text-align: left;\">Nicolas Joly<\/p>\n<p style=\"text-align: left;\"><strong>Sound editing and mixing<\/strong><\/p>\n<p style=\"text-align: left;\">Nicolas Joly<\/p>\n<p style=\"text-align: left;\">Yann Reiland<\/p>\n<p style=\"text-align: left;\"><strong>Original music\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\"><span class=\"Apple-converted-space\">S\u00e9bastien Souchois \u00a0<\/span><\/p>\n<p style=\"text-align: left;\"><strong>Producers<\/strong><\/p>\n<p class=\"p1\">Delphine Morel<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 14px;\">Elena Tatti<\/span><\/p>\n<p style=\"text-align: left;\">Nicolas Wittwer \u00a0<\/p>\n<p style=\"text-align: left;\"><strong>Production<\/strong><\/p>\n<p style=\"text-align: left;\">TS Productions<\/p>\n<p style=\"text-align: left;\">Box Productions<\/p>\n<p style=\"text-align: left;\"><strong>With the support of<\/strong><\/p>\n<p style=\"text-align: left;\">France T\u00e9l\u00e9visions<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.17.6&#8243; header_font=&#8221;|800||on|||||&#8221; header_2_font=&#8221;|800||on|||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>FILMOGRAPHY OF THE DIRECTOR<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.17.6&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p class=\"p1\" style=\"text-align: justify;\">Julie Biro is a trained historian. She worked for twenty years with NGOs in Eastern Europe, where her passion for cinema was born. In her first film, <i>Return to Vi\u0161egrad<\/i> (2021), she recounts an attempt to reunite former classmates 25 years after the Bosnian war. In <i>The Silence of Violette<\/i>, the director meets the children of Violette Nozi\u00e8re, who only discovered their mother\u2019s story after her death.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/boxproductions.ch\/v2\/wp-content\/uploads\/2025\/08\/13EC2832-0BE8-44C5-B3AE-57A03B9C12E5_1_201_a-683&#215;1024-1.jpg&#8221; title_text=&#8221;Fleur Dago&#8217;rn&#8221; disabled_on=&#8221;on|on|off&#8221; _builder_version=&#8221;4.17.6&#8243; width=&#8221;100%&#8221; custom_padding=&#8221;|||0px||&#8221; animation_style=&#8221;fade&#8221; animation_direction=&#8221;bottom&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;236px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/boxproductions.ch\/v2\/wp-content\/uploads\/2025\/08\/DSC05685-scaled.jpg&#8221; title_text=&#8221;DSC05685&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/boxproductions.ch\/v2\/wp-content\/uploads\/2025\/08\/DSC05689-scaled.jpg&#8221; title_text=&#8221;DSC05689&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/boxproductions.ch\/v2\/wp-content\/uploads\/2025\/08\/DSC05690-scaled.jpg&#8221; title_text=&#8221;DSC05690&#8243; _builder_version=&#8221;4.17.6&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Julie Biro<br \/>\n2025 &#8211; CH \/ FR &#8211; 53\u2032<\/p>\n","protected":false},"author":12,"featured_media":8539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[20],"tags":[33],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Le Silence de Violette - Boxproductions - Productions de films Suisse<\/title>\n<meta name=\"description\" content=\"At 19, Violette Nozi\u00e8re was sentenced to death for parricide. Abused by her father, her voice remained unheard. She escaped the guillotine and was released in 1945. She married, had five children, rebuilt her life in Normandy, and fought to obtain her rehabilitation. To this day, her children still have questions. This film is an opportunity for them to make Violette\u2019s voice heard. One of her granddaughters now wants to put an end to the family\u2019s unspoken truths.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/boxproductions.ch\/en\/le-silence-de-violette-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Silence de Violette - Boxproductions - Productions de films Suisse\" \/>\n<meta property=\"og:description\" content=\"At 19, Violette Nozi\u00e8re was sentenced to death for parricide. Abused by her father, her voice remained unheard. She escaped the guillotine and was released in 1945. She married, had five children, rebuilt her life in Normandy, and fought to obtain her rehabilitation. To this day, her children still have questions. This film is an opportunity for them to make Violette\u2019s voice heard. 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